Sandra Yates
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Christmas is Coming | Print |
Christmas is coming.  I know because my Messiah rehearsals have started.  (Not that I'm practicing to be the Messiah, you understand, rather to sing in Mr. Handel's wonderful oratorio).  I've done it every year for the last seven years, and it's a great joy. I'm a contralto - in the chorus we are characterized by middle aged women with large bosoms and sensible shoes.  We don't get to sing the showy bits - we provide the harmonies.

As an exercise in logistics, staging The Messiah is a challenge.  There is the choir, plus orchestra, plus four soloists, and there are four performances.  Preparing that many people for a public performance involves a number of different chorus masters.  Alas, like policemen, and doctors, chorus masters are getting younger every year, and I suspect that this year's model is not long out of puberty.  

It's clearly his first time, and he is dealing with a bunch of people who've done it lots of times, and have very firm views on how it should go.  We didn't do it like that last year, says a bolshie soprano.  We don't sing that bit, whinges a stroppy tenor.  Last year we sang "towards men" - why do we have to sing "toward men"?, and on and on they go.  A more experienced chorus master would simply shout "because I said so", but our pale and trembling youth has clearly been told he is meant to keep us all happy, and literally singing from the same hymn book.

Our most recent rehearsal was meant to involve him giving us lots of notes about what the conductor wants.  What actually happened is that we gave him lots of notes on how we think it should go, and the poor thing has had to go away for a lie-down.

The people who manage the choir are made of sterner stuff.  They know all the tricks a cunning chorister can pull, and I suspect that during the week our novice chorus master will have his spine re-inserted by the management team, and will be engaging in a spot of what I believe is called these days "push-back".

A choir is no place for rugged individualists, and the managers have the ultimate weapon.  "Do as I say, or you're not singing."  Missed a rehearsal?  Too bad, you're sacked.  Don't want to wear your white shirt tucked into your black skirt?  Good-bye.

Don't want to sit in that spot?  No problems - close the door on your way out.

We have to sign in, do exactly as we're told, and pay for the privilege.  And it's fantastic.  The folks who run that choir wield power without mercy, but when that audience rises to meet us as we begin the Hallelujah Chorus, I think my heart will burst with pure happiness.  
So tonight our tyro chorus master will step up to the podium again, and now that we've flexed our collective muscle, we'll all sing like angels - because we must.
 
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